Thursday, March 11, 2010
 English (United States) Nederlands (België)

Who are we?

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The Brasschaats Mandoline-Orkest (BMO) is an example of the mandolin as a worthy concert instrument and the mandolin orchestra as an instrumental ensemble with surprising possibilities and a wide repertory.

The orchestra, grown from a school orchestra, was created in 1955 by Robert Janssens, one of the founding fathers of the guitar- and mandolin education in Belgium. The BMO knew a first period of success.

He was succeeded in september 1962 by one of his students, Marcel De Cauwer, since chairman and conductor. With a repertory that has a reach from Renaissance until Theodorakis, the BMO aims for a wide audience and pleads - with success - for a broader aknowledgement of plucked string instruments and for the recognition of the mandolin as a worthy concert instrument. 

Brasschaats Mandoline-Orkest 

Conductor

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Marcel De Cauwer

Marcel De Cauwer started as an 11-year old to learn to play the banjo from Robert Janssens in the municipal boy's school of the Brasschaat-Centrum. He became a member of the school orchestra and exchanged his banjo soon for a much better Embergher mandolin. He played the 1st mandolin In the young BMO - from 1955 until 1962. From 1959 he also started to take to the guitar, first self-taught, later with private lessons from Robert Janssens.

 In september 1962 he succeeded his teacher as chairman and conductor of the BMO. Marcel's firm understanding of both mandolin and guitar has doubtlessly contributed a great deal for Robert Janssens in his choice of successor.

After his studies as a teacher, Marcel was given the opportunity to teach musical education and art history (esthetics) in secondary school: his hobbies effectively became part of his profession. During his carreer in school he was also part of Jeugd en Muziek ('Youth and Music') for more than 20 years, for example for the organization of numerous school concerts, an exhilerating task that has brought him in contact with several professional musicians and broadened his view on music.

By further self-study and a growing interest for chords and harmony, as practised on the mandolin and guitar, Marcel also started making his first transciptions and arrangements with which he extended the repertory of the BMO (some classical pieces and numerous popular pieces, for example Greek melodies who would start to become part of the musical heritage of the orchestra).

Together with some other people who were commited strongly to the mandolin, Marcel has always pleaded for recognition and extention of the mandolin courses at the music academies and conservatoria. He's a regular member of the jury at the public examinations of mandolin and mandolin ensemble in the academies that have mandolin courses (Brasschaat, Merksem, Wijnegem and Lier). 

Concert maestro

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Joe Van Dunnegem

 Joe Van Dunnegem was educated at the Music Acedemy of Merksem (Antwerp) by Lucie Vercammen. He has taught mandolin at the Youth Music Academy of Antwerp (Kindervreugd - 'Children's Joy') and has performed with several symphonic orchestras. He has also conducted the mandolin ensemble 'Farandole'.

 With the Brasschaat Mandolin Orchestra he has performed, amongst other pieces, the mandolin concerti of Vivaldi, Cecere, Giuliano, ... He has also performed with several other mandolin orchestras as guest solist, such as 'Divertimando' of Vilvoorde (Brussels) and the Antwerps Mandoline Orkest ('Antwerp Mandolin Orchestra'). Joe Van Dunnegem has contributed to several recordings of, for example, Raymond van het Groenewoud, the 'Adrivalan Orchestra', ... .

Composition

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The orchestra is composed of about 30 musicians and has the classical 4-way structure:

sopranos: 1st mandolins
altos: 2nd mandolins
tenors: mandolas
basses: guitars and double bass (and occasionally mandolcello)

Highlights

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 Highlights

  •  As youth orchestra (1955-1962): 7 performances for tv in youth programmes of the BRT, concert on World Exhibition ’58, …
  • Concerts on international mandolin festivals of Mons (1965), Aachen (1966), Malmédy (1982), Elsloo (1986), Saarbrücken (1992) en Rijen (2005).
  • 1st prizes on international contests as Kruiningen (1960), Wageningen (1961), Jülich (1983) en Eupen (1993).
  • 5-yearly jubilee concerts from 1975 onwards
  • Performance at the Nocturne of Beloeil (2000) for a crowd of about 5000 strong 
  • Performances of the "Artist mass" in the St-Carolus Borromeus church (Antwerp)
  • Dozens of concerts for various divisions of "Youth & Music" throughout Flanders
  • Collaboration with such famous solists as Gaby Van Riet, Carlos Bruneel, Jan Raes and Bart Cromheeke (flute), Yves Storms, Gerda Gulickx and Michel Verkempinck (guitar), Dirk Boiy, Luc Faes and Sigrid  Schuerweghs (oboe), Geert Baeckelandt (clarinet), Patrick Denecker and Sonja Mertens (recorder), Luc Vanvaerenbergh and Herman Stinders (harpsichord),…
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